February 2019

  1. Obscure Music Monday: Burleigh's Deep River

    Henry Thacker "Harry" Burleigh (Dec. 2, 1866 - Sept. 12, 1949) was an African-American composer, arranger, and baritone born in Erie, Pennsylvania. Burleigh is well known for introducing spirituals and folk songs to classically trained singers, in more classically arranged versions for them. He grew up hearing spirituals and slave songs from his grandfather, who suffered the deep injustice of slavery himself (he was eventually granted freedom, by buying his, and his mother's way out of slavery).  Continue reading →
  2. Obscure Music Monday: Dett's In the Bottoms

    Robert Nathaniel Dett  (Oct. 11, 1882 - Oct. 2, 1943) was a composer, pianist, organist, and professor of music. Born in Ontario, Canada, he showed interest in music at a young age, and began piano lessons at five years old. The family moved to New York around the time Dett was ten years old, and a few years later he was playing piano for his church. He would later on study at the Oliver Willis Halstead Conservatory of Music, and continued studying piano at the Lockport Conservatory, before eventually attend the Curtis Institute of Music. At Curtis, Dett was introduced to the idea of using spirituals in classical music, like in the music of Antonin Dvorak. The music Dett heard reminded him of spirituals he'd learned from his grandmother, and he'd later on integrate folksongs and spirituals in to his music.   Continue reading →
  3. Obscure Music Monday: Wiggins' Water in the Moonlight

    Thomas "Blind Tom" Wiggins (May 25, 1849 - June 14, 1908) was an African-American musical prodigy on the piano. Born on a plantation in Georgia, he was sold, along with his parents, in to slavery. Because he was blind, his owner, James Bethune, originally wanted to kill him, as he couldn't do much of the work he demanded slaves do, but eventually decided to let him play and explore the plantation he was on.  Continue reading →
  4. Obscure Music Monday: Coleridge-Taylor's Ballade, Op. 73

    Samuel Colderidge-Taylor (Aug. 15, 1875 - Sept. 1, 1912) was born in London, England, to Alice Hare Martin, an English woman, and Dr. Daniel Peter Hughes Taylor, from Sierre Leone. They were not married, and Daniel Taylor returned to Africa before 1875, not even knowing he had a son. Martin named her son after the poet, Samuel Taylor Coleridge, and was raised in Croydon, Surrey by his mother, and her father. Coleridge-Taylor studied violin at the Royal College of Music, and was later on appointed a professor at the Crystal Palace School of Music, and conducted the orchestra at the Croyden Conservatory.  Coleridge-Taylor found success at the Three Choirs Festival in Gloucester and Worcester; he was recommended by Edward Elgar, who heard rave reviews about Coleridge-Taylor from noted music critic and editor August Jaeger. He had much success during his time, and his interest in African-American culture brought him to the States on several occasions where his success continued. He made such an impression that he was invited to the White House by Theodore Roosevelt.  Continue reading →

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