October 2019

Giselle Galos (commonly known as C. Galos) was an obscure 19th century pianist and composer, born in France.  Very little is known about her; she didn't perform in public, and mainly published her works under the name "C. Galos" and no one knew if they were a woman or man. Some earlier works were found however, with the name "Madmoiselle Giselle...

Amy Marcy Cheney Beach (Sept. 5, 1867 - December 27, 1944) was an American composer and pianist.  Extremely gifted from a young age, Beach's talents seemed to run in the family, with various members playing instruments or singing, and showing great aptitude for music. Continue reading →

Edwin York Bowen (Feb. 22, 1884 - Nov. 23, 1961) was an English composer and conductor who played several instruments, including viola, horn, organ, and piano. He started piano lessons with his mother when he was very young, and his talent was recognized immediately. His musical education continued at the North Metropolitan College of Music, and then Blackheath Conservatoire of Music, and at 14 he attended the Royal Academy of Music, and studied composition with Frederick Corder. He went on to win several composition awards, and was later a Professor at the Royal Academy. Continue reading →

Maria Szymanowska (Dec. 14, 1789 - July 25, 1831) was a Polish composer and virtuoso pianist. Born in Warsaw, the history of her musical studies is largely unknown, but we know that she gave her first public recitals in Paris and Warsaw in 1810. Just five years after her first public recital, her professional career began, with tours all throughout Europe, with a few performances in private for royalty. One of the first virtuosos of the 19th century, her playing was well received. She was also one of the first pianists to play performances from memory, far ahead of Liszt and Clara Schumann. After touring for a while, she relocated to Moscow, and then St. Petersburg, where she was court pianist to the tsarina. Szymanowska mainly wrote music for piano, thought she also wrote a few songs and chamber pieces. Her work is usually stylistically described as stile brilliante and of Polish Sentimentalism, and many scholars have debated her influence on Chopin. Continue reading →