Ernő Dohnányi (July 27, 1877 - Feb. 9, 1960) was a Hungarian composer, conductor, and violinist. You might see his name as Ernst von Dohnányi, which is the German form of his name.

Dohnányi's first music teacher was his father, an amateur cellist, and then at eight years old he studied with the organist at the local cathedral. When he was seventeen years old, he began attending the Royal National Hungarian Academy of Music, where he studied piano with István Thomán (one of Liszt's favorite students) and composition with Hans von Koessler, a cousin of Max Reger and devotee of Johannes Brahms. It's not entirely surprising that in turn,  Dohnányi's playing was influenced by Liszt, and many of his compositions like Brahms. His first published work, Piano Quintet in c minor was promoted by Brahms himself in Vienna. Just three years after Dohnányi arrived at the academy, he asked to take his exams early, and he did, earning high scores in both piano and composition, and graduating by the time he was only twenty.

After his time in school, Dohnányi would travel around the world and find success wherever he went, including  Berlin, Vienna, England, and America. He was particularly fond of playing Beethoven's Fourth Piano Concerto, and as a conductor he was among the first to conduct Bartok's more accessible music. He would go on to teach in Berlin for ten years, and later on be the director of the Budapest Academy, and Music Director of the Budapest Philharmonic Orchestra. Also around these times, he became a  renowned teacher, and performed and recorded many of Beethoven's works, and in 1933 organized the first International Franz Liszt  Piano Competition.

In regards to his compositions, Dohnányi wrote symphonies, operas, choral works, concertos, various chamber works, and wrote a sizeable amount of works for piano, including Winterreigen (subtitled Ten Bagatelles). Written in 1905 when he moved to Berlin to teach a the Hochschule fur Musik, it also served as a goodbye to his time in Vienna. Each movement, save the first and last, are dedicated to various friends he made in Vienna. It wasn't just his friends he dedicated this work to, however. Dohnányi explained further: "The dedication of the piece as a whole to the spirit of Robert Schumann is revealed in the first piece, by its use of the first melody from Schumann's Papillons". Other composers you might hear influences of in this wonderful late Romantic composition include Brahms, Liszt, and Mendelssohn.

Here are some recordings for you to enjoy!

Ernő Dohnányi
Lawrence Schubert