orchestral

  1. Obscure Music Monday: Munktell's Bränningar

    Helena Mathilda Munktell (Nov. 24, 1852 - Sept. 10, 1919) was a Swedish composer, pianist and vocalist. She studied at the Stockholm Conservatory with Joseph Dente, Johan Lindegren, Conrad Nordqvist, and Ludwig Norman, and then moved to Paris to study composition with Vincent d'Indy and Benjamin Godard. Her compositional debut in 1885 was a success; critics were impressed with her...
  2. Obscure Music Monday: Bloch's Hiver-Printemps

    Ernest Bloch (July 24, 1880 – July 15, 1959) was born in Geneva, and considered one of the greatest Swiss composers. He started playing the violin and composing at 9, and studied in Brussels, Germany, and Paris. Later on, Bloch taught at the Mannes School of Music, the Cleveland Institute of Music, and the San Francisco of Music. Continue reading →
  3. Obscure Music Monday: Parker's A Northern Ballad

    Horatio William Parker (Sept. 15, 1863 - December 18, 1919 )was an American composer, teacher, and organist, who came to be a part of the Second New England School, also commonly known as the Boston Six, along with Amy Beach, George Whitefield Chadwick, Arthur Foote, Edward MacDowell, and John Knowles Paine. Continue reading →
  4. Obscure Music Monday: Coleridge-Taylor's Ballade Op. 33

    Samuel Colderidge-Taylor (Aug. 15, 1875 - Sept. 1, 1912) was born in London, England, to Alice Hare Martin, an English woman, and Dr. Daniel Peter Hughes Taylor, from Sierre Leone. They were not married, and Daniel Taylor returned to Africa before 1875, not even knowing he had a son. Martin named her son after the poet, Samuel Taylor Coleridge, and was raised in Croydon, Surrey by his mother, and her father. Coleridge-Taylor studied violin at the Royal College of Music, and was later on appointed a professor at the Crystal Palace School of Music, and conducted the orchestra at the Croyden Conservatory.  Coleridge-Taylor found success at the Three Choirs Festival in Gloucester and Worcester; he was recommended by Edward Elgar, who heard rave reviews about Coleridge-Taylor from noted music critic and editor August Jaeger. He had much success during his time, and his interest in African-American culture brought him to the States on several occasions where his success continued. He made such an impression that he was invited to the White House by Theodore Roosevelt.  Continue reading →
  5. Obscure Music Monday: Mayer's Faust Overture

    Emelie Luise Friderica Mayer (May 14, 1812 - April 10, 1883) was a German composer of Romantic music. While she studied music growing up, it was nothing serious. It wasn't until 1840 when her father died that she took music and composing seriously; she moved to Stettin to study with Carl Loewe, and then later moved to Berlin to study with Adolph Bernhard Max and Wilhelm Wieprecht. Later on in life she became the Associate Director of the Opera Academy in Berlin. Continue reading →
  6. Obscure Music Monday: Delius' Eventyr

    Frederick Theodore Albert Delius (Jan. 29, 1862 - June 10, 1934) was an English composer, born in to a wealthy family. Delius didn't want to go in to business and commerce like his family, and resisted it as much as possible. Continue reading →
  7. Obscure Music Monday: Paine's Overture to 'As You Like It'

    John Knowles Paine (Jan. 9, 1839 - April 25, 1906) was an organist and composer born in Maine, to a musical family. HIs grandfather built pipe organs, and his father and uncles were all music teachers. In the 1850s, Paine took organ and compositions with Hermann Kotzschmar, and completed his first composition (a string quartet) in 1855. He was appointed organist of Portland's Haydn Society, and gave recitals to help fund a trip to Europe. Continue reading →
  8. Obscure Music Monday: Beach's Bal Masqué

    Amy Marcy Cheney Beach (Sept. 5, 1867 - December 27, 1944) was an American composer and pianist.  Extremely gifted from a young age, Beach's talents seemed to run in the family, with various members playing instruments or singing, and showing great aptitude for music. Continue reading →
  9. Obscure Music Monday: Delius' Chanson d'automne

    Frederick Theodore Albert Delius (Jan. 29, 1862 - June 10, 1934) was an English composer born to a wealthy mercantile family. Having shown musical talent as a young child, he resisted entering in to the world of commerce, but was sent to Florida in 1884 to manage an orange plantation. He began composing there, after being influenced by African American music, and just a couple years later became a full time composer in Paris; his time there was productive. He then lived in Grez-sur-Loing, where he and his wife Jelka Rosen lived the rest of their lives. Continue reading →
  10. Obscure Music Monday: Gade's Hamlet Overture

    Niels Wilhelm Gade (Feb. 22, 1817 - Dec. 21, 1890) born in Copenhagen, was the son of an instrument maker. Gade, a violinist, composer, and conductor, started his career with the Royal Danish Orchestra as a violinist, and was able to see compositions of his played by the orchestra. Felix Mendelssohn was an early champion of Gade's work, and they became close associates. Robert Schumann was a good friend as well, and the influence of the significant composers of the German Romantic style (Schubert, Schumann, Mendelssohn) can be heard in his works. Gade went on to influence other composers himself, such as Edvard Grieg and Carl Nielsen. Despite being considered one of the most important Danish composers, Gade's works are not programmed very often.  Continue reading →

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