orchestral
-
Obscure Music Monday: Reger's Romantic Suite
Johann Baptist Joseph Maximilian Reger (March 19, 1873 - May 11, 1916), known as Max Reger, was German composer, pianist, organist, conductor and teacher. Continue reading → -
Obscure Music Monday: Bird's Carnival Scene
Arthur Bird (July 23, 1856 - Dec. 22, 1923) was an American composer, pianist, organist, and violinist. His father was a musician, and Bird started studying music at an early age. He first performed in public as an organist in a church at age fifteen. Continue reading → -
Obscure Music Monday: Dargomyzhsky's Bolero
Alexander Dargomyzhsky (Feb. 14, 1813 - Jan. 17, 1869) was a Russian composer, educated in St. Petersburg. He was a talented amateur musician, and in 1833 he met Mikhail Glinka, who helped motivate him to compose more. He would go on to be the bridge in Russian opera, beween Glinka and Pyotr Tchaikovsky. He wrote several operas, but with little recognition until the 1860s, in Belgium. Continue reading → -
Obscure Music Monday: Marsick's La Source
Armand Marsick (Sept. 20, 1877 - April 30, 1959) was a Belgian conductor, composer, violinist, musicologist, and professor. He began his musical studies with his father, Louis Marsick, and then composition at the Liege Conservatory at only ten years old, then the Nancy Conservatory, and eventually studied with Vincent d'Indy in Paris. Continue reading → -
Obscure Music Monday: Langgaard's Music of the Spheres
Rued Langgaard (July 28, 1893 - July 10, 1952) was a Danish composer and organist, born to musical parents. He began piano lessons at five years old, with his parents as his first teachers, and was playing Chopin Mazurkas at age seven. He started composing not long after for the piano, and began taking organ and violin lessons. Continue reading → -
Obscure Music Monday: Bantock's The Pierrot of the Minute
Sir Granville Ransome Bantock (Aug. 7, 1868 - Oct. 16, 1946) was a British composer and conductor, born in London. His parents hoped he would enter the Indian Civil Service, but poor health would prevent him from that. He turned to chemical engineering, but around 20 years old, he started looking at musical manuscripts. His first teacher was at Trinity College of Music, and in 1888 he entered the Royal Academy of Music, studying with Frederick Corder. Continue reading → -
Obscure Music Monday: Raff's Prelude to Shakespeare's Romeo and Juliet
Joseph Joachim Raff (May 27, 1822 - June 24 or 25, 1882) was a German-Swiss composer, pianist, and teacher who was largely self taught. As a child he showed much talent on the piano and violin, and taught himself the rudiments of music. Continue reading → -
Obscure Music Monday: Delius' On Hearing the First Cuckoo of Spring
Frederick Theodore Albert Delius (Jan. 29, 1862 - June 10, 1934) was an English composer, born in to a wealthy family. Delius didn't want to go in to business and commerce like his family, and resisted it as much as possible. Continue reading → -
Obscure Music Monday: Schreker's Chamber Symphony
Franz Schreker (March 23, 1878 - March 21, 1934) was an Austrian composer, conductor, and teacher. Schreker grew up travelling across Europe, and after his father died, the family moved to Vienna in 1888. A few short years later, Schreker entered the Vienna Conservatory on violin, but then also started taking up composition. He would go on to teach at Vienna's Imperial Academy of Music, and later on be an administrator at the Hochschule fur Musik in Berlin. A vast portion on his compositional output is opera, though he wrote many orchestral work, including a one movement work entitled Chamber Symphony. Continue reading → -
Obscure Music Monday: Carpenter's Adventures in a Perambulator
John Alden Carpenter (Feb. 28, 1876 - April 26, 1951) was born in Park Ridge, Illinois, in to a musical family. He attended Harvard University, and studied under John Knowles Paine, and later on traveled to England to study with Edward Elgar. After his time in England, he returned to Chicago to study with Bernhard Ziehn in 1912. Sadly, Carpenter has been overlooked as a composer, in favor of other big names from his generation, like Ives and Copland. Continue reading →