overture

Niels Wilhelm Gade (Feb. 22, 1817 - Dec. 21, 1890) born in Copenhagen, was the son of an instrument maker. Gade, a violinist, composer, and conductor, started his career with the Royal Danish Orchestra as a violinist, and was able to see compositions of his played by the orchestra. Felix Mendelssohn was an early champion of Gade's work, and they became close associates. Robert Schumann was a good friend as well, and the influence of the significant composers of the German Romantic style (Schubert, Schumann, Mendelssohn) can be heard in his works. Gade went on to influence other composers himself, such as Edvard Grieg and Carl Nielsen. Despite being considered one of the most important Danish composers, Gade's works are not programmed very often.  Continue reading →

Hermann Gustav Goetz (Dec. 7, 1840 - Dec. 3, 1876) was a German critic, pianist, and composer. He didn't begin any formal music lessons until age seventeen, when he picked up the piano, but had begun composing a few years before that. He stared working towards a degree in mathematics at the end of the 1850s, but left to attend the Stern Conservatory in Berlin, where he studied piano, and composition with Hans von Bülow. He graduated in 1862. A year later he was appointed the city organist in Winterthur, Switzerland, and taught piano, and began to get his name out as a composer. He had the organist position until 1872, and from1870 - 74, he also wrote reviews for a music magazine. Continue reading →

Erich Wolfgang Korngold (May 29, 1897 - Nov. 29, 1957) was an Austrian born composer, conductor, and a child prodigy. The son of a music critic, Korngold was playing piano alongside his father at age five, and was writing his own music by age seven. Gustav Mahler said that Korngold was a "musical genius", and suggested he study with Alexander von Zemlinsky. Richard Strauss spoke very highly of him as well. Korngold went on to compose many movie scores, operas, and orchestral works. Continue reading →

Ignaz Brüll (Nov. 7, 1846 - Sept. 17, 1907) was born in Moravia, but lived and worked in Vienna. Born to wealthy merchants, Brüll had a musical upbringing; his mother played piano, and his father was a baritone. Though Brüll was to inherit the family business, he was encouraged to pursue music after he started taking lessons at eight years old, and showed clear talent. By this time, the family had already moved to work in Vienna, and not long after, Brüll began studying with Julius Epstein at the Vienna Conservatory, and he studied composition and instrumentation with Johann Rufinatscha and Felix Otto Dessoff. His abilities as a pianist were such that Brahms requested that he play alongside him for his four-hand compositions. Continue reading →

Niels Wilhelm Gade (Feb. 22, 1817 - Dec. 21, 1890) born in Copenhagen, was the son of an instrument maker. Gade, a violinist, composer, and conductor, started his career with the Royal Danish Orchestra as a violinist, and was able to see compositions of his played by the orchestra. Felix Mendelssohn was an early champion of Gade's work, and they became close associates. Robert Schumann was a good friend as well, and the influence of the significant composers of the German Romantic style (Schubert, Schumann, Mendelssohn) can be heard in his works. Gade went on to influence other composers himself, such as Edvard Grieg and Carl Nielsen. Gade is considered one of the most important Danish composers, though we sadly don't see his works programmed frequently. Continue reading →