piano
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Obscure Music Monday: Gilson's Trio for Oboe, Clarinet, and Piano
Paul Gilson (June 15, 1865 - April 3,1942) was born in Brussels, and was an organist and choir director. At the Brussels Conservatory he studied harmony and counterpoint, and won a Prix de Rome for a cantata he wrote. He became a Professor of Composition there in 1899, but quit in 1909 after he became an inspector for music education until 1930. He wrote a great deal, but his output slowed down significantly after 1905; at that point he mainly wrote about music theory, criticism, and composition. Continue reading → -
Obscure Music Monday: White's Bandanna Sketches
Clarence Cameron White (Aug. 10, 1880 - June 30, 1960) was an African-American composer, teacher, and violinist. During his time, he was considered the foremost violinist of his race. Continue reading → -
Obscure Music Monday: Zemlinsky's Clarinet Trio
Alexander von Zemlinsky (Oct. 14, 1871 - March 15, 1942) was born in Vienna, Austria, and played the piano from a young age. Admitted to the Vienna Conservatory in 1884, and won the school's piano prize in 1890. He began writing in 1892, when he started studying theory with Robert Fuchs, and composition with Johann Nepomuk Fuchs and Anton Bruckner. Continue reading → -
Obscure Music Monday: Granados' A la Cubana
Enrique Granados Campiña (July 27, 1867 – March 24, 1916) was a Spanish composer and pianist. He studied piano in Barcelona, and moved to Paris in 1887. Unable to get in to the Paris Conservatory, he ended up taking private lessons with a Conservatory professor, Charles-Wilfrid de Bériot. Continue reading → -
Obscure Music Monday: Rimsky-Korsakov's Trombone Concerto
Nikolai Andreyevich Rimsky-Korsakov (March 18, 1844 - June 21, 1908) was a Russian composer and professor, and member of the composer group The Big Five. Continue reading → -
Obscure Music Monday: Fuch's Piano Trio No. 3
Robert Fuchs (Feb. 15, 1847 - Feb. 19, 1927) was an Austrian composer and music professor who taught many famous composers. Fuchs studied at the Vienna Conservatory, with Otto Dessof and Joseph Hellmsberger. He became Professor of Music Theory in 1875, and held it until 1912. He was highly regarded as a composer, and had a great admirer in Johannes Brahms. Fuchs did little to promote his music however; he wouldn't arrange concerts, preferring to live a quiet life. As a professor, he taught many famous composers, such as Gustav Mahler, Jean Sibelius, Hugo Wolf, and Alexander Zemlinksy. Continue reading → -
Obscure Music Monday: Akimenko's Trois Danses Idylliques
Theodore Akimenko (Feb. 8, 1876 - Jan. 8, 1945) was a Ukranian pianist, professor, and composer. He is the older brother of the composer Jakob Akimenko. Continue reading → -
Obscure Music Monday: Dittersdorf's Concerto for Double Bass No.2 in E Major
Carl Ditters von Dittersdorf (Nov. 2, 1739 - Oct. 24, 1799) was an Austrian composer and violinist. Introduced to the violin at the age of six, he was able to take lessons thanks to his father's financial position, and one of his violin teachers was able to get him in to a church orchestra when he was only eleven years old. Continue reading → -
Obscure Music Monday: Smyth's Three Moods of the Sea
Dame Ethel Mary Smyth DBE (April 22,1858 - May 8, 1944) was an English composer and member of the women's suffrage movement. The fourth of eight children, Smyth showed a keen interested in music as a career. Her father, a major general in the Royal Artillery, was not particularly supportive, though that didn't stop her from pursuing music anyway. Smyth studied privately, and then attended the Leipzig Conservatory. She wrote orchestral and choral works, chamber pieces, operas, and works for piano. Sadly deafness brought her musical career to an end, but between 1919 and 1940, she found herself an author, writing ten successful books. Continue reading → -
Obscure Music Monday: Szymanowska's Nocturne in A-flat Major for Piano 3 Hands
Maria Szymanowska (Dec. 14, 1789 - July 25, 1831) was a Polish composer and virtuoso pianist. Born in Warsaw, the history of her musical studies is largely unknown, but we know that she gave her first public recitals in Paris and Warsaw in 1810. Continue reading →