voice

This week we move back much further in time to the 17th Century and a composition by Barbara Strozzi, Che si può fare. This lovely aria is part of a series of Arias, Cantatas, & Sernatas first published in 1664 as her Arie, Op. 8. https://www.youtube.com/watch?v=1F458aC_FUM Strozzi, born as Barbara Valle, was a self-made force of music in Italy in...

Today we take a look at a longer waltz by Francis Popy (1874-1928), his Sphinx. This waltz for piano was believed to have been performed on the ill-fated journey of the RMS Titanic, earning it the nickname of the "Titanic Waltz." https://www.youtube.com/watch?v=k74oBvtOwO8 With a traditional format of Waltz-Trio-Waltz, this work is easily approachable and shows us some of the movement...

Adele aus der Ohe (1861-1937) was a German pianist and composer whose works have sadly disappeared from common performance. As a pianist, her virtuosic performances led to her being held in high regard (and demand). While her involvement is much less talked about than other aspects of the trip, she joined her friend Pyotr Ilyich Tchaikovsky on his trip to...

Augusta Holmès (Dec. 18, 1847 - Jan. 28 1903) was a pianist and composer, born in Paris, and of Irish descent. Despite showing great talent as a child, she wasn't allowed to take piano at the Paris Conservatory. Instead she took private piano lessons with Mademoiselle Peyrnnet, and later on, harmony and counterpoint with Henri Lambert, and composition lessons with Hyacinthe Klosé. Holmès became...

Sergei Prokofiev (April 23, 1891 - March 5, 1953) was a Russian and Soviet pianist, composer, and conductor.  A graduate of the St. Petersburg Conservatory, Prokofiev is undoubtedly one of the most well known composers of the 20th century, and many of his works are staples in the repertoire, including his concertos for violin, cello, and piano,  seven symphonies, and many ballets...

Dame Ethel Mary Smyth DBE (April 22,1858 - May 8, 1944) was an English composer and member of the women's suffrage movement. The fourth of eight children, Smyth showed a keen interested in music as a career. Her father, a major general in the Royal Artillery, was not particularly supportive, though that didn't stop her from pursuing music anyway. Smyth studied...

Marie-Juliette Olga "Lili" Boulanger (Aug. 21, 1893 - March 15, 1918) was a French composer, and  the younger sister of the famed composition teacher/composer Nadia Boulanger. Born in Paris, Lili Boulanger was a child prodigy; at the age of two, it was discovered that she had perfect pitch. Her parents, both musicians, encouraged her musical education, and she accompanied her sister Nadia...

George Augustus Polgreen Bridgetower (Oct. 11, 1778 – Feb. 29, 1860) was an Afro-European violinist and composer born in Poland, though he spent a much of his life in England. Bridgetower showed much promise as a young violinist, giving concerts at only ten years old. in 1791, after giving many successful concerts around Europe, the British Prince Regent, the future...

Paul Abraham Dukas (Oct. 1, 1865 - May 17, 1935)  was a French composer, professor, and critic, born in to a Jewish family. The second of three children, Dukas didn't show any extraordinary musical talent, despite taking piano from a young age, until his teenage years, when he started to compose while recovering from an illness. When he was 16...

Sir Edward Elgar, 1st Baronet (June 2, 1857 - February 23, 1934) was an English composer, born to musically inclined parents Edward's father, William, was a piano tuner, and apprenticed at a music publishing house, in addition to being a violinist, and organist at a church. Edward was given piano and violin lessons growing up, but didn't have any real formal training; the most formal training he got was some advanced violin lessons in London, but he never attended a conservatory or anything similar. In addition to playing violin professionally, Elgar also conducted a group at an asylum, where he wrote and arranged music for their irregular instrumentation, which helped him gain a better understanding of writing for particular instruments, and was an important piece of his musical development.  Continue reading →